CURRENT/UPCOMING

Kanssaelo / Beings with: The Fiskars Village Biennale, Fiskars, Finland.
19 May–15 September 2019. Curated by Jenni Nurmenniemi.
With Elina Minn, Dambi Kim, Candice Lin, Jaana Laakkonen, Tove Storch, Richard Ibghy & Marilou Lemmens, Laura Põld, Leah Beeferman, Lene Baadsvig Ørmen, Louise Waite, Marjolijn Dijkman, nabbteeri, Tuomas Aleksander Laitinen, Raimo Saarinen, Aki Sasamoto, Alma Heikkilä, Johannes Heldén, Ramina Habibollah.

Field Recordings, a two-person exhibition with Alex Yudzon at Sirius Arts Centre, Cobh, Ireland. 20 July–14 September, 2019. Curated by Miranda Driscoll.

between clouds and screensavers, a group show at Toy Returns, an artist-run space in Fremantle, Western Australia. 15 April–10 May, 2019. Curated by Oliver Hull. With Sara Ludy, Lisa Sammut, Therese Keogh, and Alex Last.

Spring 2018: Teaching Digital 2D Foundations at Brown University.

 

PAST NEWS

Feb 1 – Mar 1 2019: “Surface Tension, Surface Tenses” — duo exhibition with Daniel Everett, at The Anderson, VCU, Richmond, Virginia. See install pictures here.

 

September 2018: Solo booth with Rawson Projects at Swab Art Fair in Barcelona.  Part of “The Cactus and the Desert” curated by Omar López-Chahoud.

 

Heather Hughes of the St. Louis Art Museum wrote an essay/press release about the two prints I made in collaboration with Island Press during my Emerging Artist Fellowship.

Fall 2018: Teaching “Microscopic View: Experimental Light Images” at Aalto University, Helsinki.

 

April 7 – May 30, 2018: Screenspace group show, Roesler Hotel / Galeria Nara Roesler, São Paolo, Brazil. Curated by Vik Muniz, Barney Kulok, and Lucas Blalock.  

Music video for “Gravitating Bones,” the first single off of Tsembla’s new record, “The Hole in the Landscape.”

I wrote a long text — “Coast Lines” — about coasts, abstraction, photography, Norway (and Finland), physics, and digital form in context of my work and my time in Norway this summer published on the Contemporary Art Stavanger website.

I wrote an essay, called “Acts of Sensing,” about Johan Rosenmunthe’s work for his exhibition, “Hidden in Plain Sight,” at Overgaden in Copenhagen.

April 27 – June 29, 2018: Dense Bodies Bend Solid Ground group show at Radiator, Long Island City, New York. Curated by Rachel Steinberg.

April 12-22, 2018: Hydrodynamics group show, at Studio 17, Stavanger, Norway. Curated by Mirja Majevski.

9 February – 25 March 2018: Event Horizon group show, SPACE, Pittsburgh, PA.

Spring 2018: teaching Digital 2D Foundations at Brown University, Providence, Rhode Island.

Fall 2017: Taught “Nature of Interpretation: Observations, Measurements, and Descriptions for Art and Science” at Aalto University, Helsinki.

Avi Alpert discussed my work in an essay about photography as exposition for Temporary Art Review.

Artist in residence at AiR Sandnes, Norway. Aug-Sep 2017.

July 13 – August 5, 2017: Romantic Destinations group show, Crush Curatorial,  New York. Organized by Charlotte Hallberg.

Listen to Scattering Like Light, a sound performance with Alfons Knogl at Sorbus, Helsinki, 21 Jan 2017.

Light Matter — solo show at Sorbus, Helsinki, 6–29 Jan 2017.

Residency at Mustarinda.

Owen Duffy wrote a very thoughtful review of my show Cold Color, at Rawson Projects, for Art in Print.

Fulbright Scholar Grant to Finland, 2016-17.

COLD COLOR, solo show at Rawson Projects, New York, 14 Sep– 23 Oct 2016.

10 Sep—29 Oct 2016: Infinity Cove, duo exhibition show with Kristine Eudey at Bass & Reiner, San Francisco.

, Rose was an online exhibition at Upfor, curated by Valentina Fois. Reviewed on Rhizome, by Sam Korman.

 

Triple Point by Leah Beeferman

Triple Point, an artist’s book, published by Lodret Vandret. Text by Daniel Everett. Click here for more info and to order.

Included in Regine Basha’s Crossing Listening Thresholds, a curated e-journal as part of Art in General’s symposium, ‘What Now?’, that took place this year.

June 2016: Emerging Artist Fellowship residency at Island Press (Contemporary Print Editions and Artist Projects).

24 Mar–23 Apr 2016: Event Horizon group show, Knockdown Center, Brooklyn, NY. Curated by Jessica Langley.

March 2016: Residency at the Sirius Art Centre, Cobh, Ireland.

8 Jan–21 Feb 2016: “Liquid Pictures” group show, at Klaus von Nichtssagend, New York.

My project, ELECTRONIC STRUCTURES, included in the utopia-internet-dystopia pavilion, curated by Valentina Fois, part of The Wrong: New Digital Art Biennial. The piece got a nice mention in Rhizome’s review of The Wrong.

12 Sep–25 Oct, 2015: Strong Force, solo show at Rawson Projects, New York.

June-July 2015: Singing MaterialTyson, Cologne, Germany.

Interview with Mark Dorf on Lenscratch as part of his week-long series of posts about New York-based artists working with photography in non-traditional ways.

Interview with Lucas Blalock on BOMB Daily. A conversation focused on my Strong force (chromodynamics) series, but also touching on the Arctic, the digital, the nervous system, photography, and drawing.

Empty Space, a web project commission released on NewHive. Also, an interview about the project, the Arctic, Iceland, volcanoes, and quantum physics.

10 Feb 2015, 7pm: EMPTY SPACE, a performance-screening at Klaus von Nichtssagend, New York, NY.

28 Jun–2 Aug 2014: Leah Beeferman: Field positions / Rick Silva: Render Garden Ditch Projects, Springfield, OR.

9 May–6 Jun 2014: Sense Objects Leah Beeferman / Stephen Vitiello, curated by Regine Basha. Fridman Gallery, NYC.